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Australia is both home to the world’s oldest continuous cultures, as well as one third of all the known uranium on Earth. Australia is therefore a critical site for understanding the nuclear fuel cycle as future cultural and environmental heritage.︎

Principal investigator/s: N.A.J. Taylor︎Sponsors: Deakin University, Killam Trusts, and The University of British Columbia
Funding: $350,000 (internal, incl. salary)
Key output/s: a living digital humanities project︎ and a series of scholarly publications 



I began making photographs of Australian uranium mining sites in the early 2000s whilst working as an applied ethicist in the institutional investment industry, although I did not begin exhibiting or publishing my nuclear photography until 2009. The process of making photographic images, and the decision to publish some of them, has increasingly informed how I both comprehend and communicate the spatial and temporal enormity of nuclear harms. To date fieldwork of nuclear sites has been conducted in Australia, Belgium, England, Estonia, France, Germany, Finland, Iran, Israel, Scotland, South Africa, Sweden, Switzerland, and the United States. I am a active member of the Advisory Board of the Atomic Photographers Guild which was established in 1987.︎

Principal investigator: N.A.J. Taylor︎
Institutional partner/s: Atomic Photographers Guild︎
Key output: an award-winning essay︎